Netflix recently premiered a hilarious new limited comedy series and it’s already climbing the service’s Top 10 list. Loosely based on a bawdy and irreverent medieval short story collection, the show follows a group of nobles and their servants in 1348 Florence as they attempt to hide from the deadly Black Plague in a wine-soaked countryside villa.
Here’s what you need to know about The Decameron:
Vault AI uses index scores to describe the impact a given story/theme/element will have on specific KPIs:
We’re seeing a gender-balanced viewership that leans toward men (53%) and is mostly aged 30+ (69%), nearly identical to the audience for improv comedy Murderville and very similar to those for the dark humor-laced Bodkin, Mrs. Davis, Based on a True Story, and Bad Sisters.
Friction at the villa. The series’ premise revolves around a collection of eccentric oddballs trapped in an isolated estate, Big Brother-style, and what begins as a medieval bacchanalia of luxury, sex, and wine quickly descends into Moral Corruption (127) and dog-eat-dog chaos (Chaotic Lifestyle, 119). The group ultimately dissolves into factions competing for control over the property, and Confrontations (139) increasingly escalate into Murder Violence (129). This deliciously soapy turmoil and who-will-survive conflict are what’s piquing viewer interest.
The comedy. The top four drivers for the show’s bingeability revolve around its wry, quirky, and sophomoric jokes, from the darkTwisted Humor (160) surrounding the Black Death to the bawdySexual Humor (123) of its many debaucheries to the Arrested Development (132)of its kooky characters. Its class-basedSatirical Humor (123) that ridicules the nobility–as well as its connection to a pandemicOutbreak (121)–particularly gives it a sense of modern relevance that audiences appreciate. The Decameron joins the likes of Search Party, Murderville, Bodkin, Mrs. Davis, Based on a True Story, Bad Sisters, and Barry in the importance of its dark, twisted comedy as a key driver.
A light and funny one. In keeping with its heavy focus on humor, the show leans into the type of upbeat emotions that generally accompany comedy, such as Amazement (139),Surprise (130), Joy (130), and Awe (130).
Really good. Though The Decameron’s mid-summer trailer drops caused barely a ripple, the show rocketed to the top of our buzz meter (to 160) with its July 25 full-season release. In addition to the humor, viewers are posting and tweeting about its soapy Multiple Storylines (117) that follow a whole host of bizarrely hilarious characters whose Emotions Run High (117).
Methodology
Publicly released trailers for series are evaluated using Vault’s algorithms — utilizing our proprietary 120K+ story element database alongside viewership performance and other datasets — to identify unique combinations of stories, themes, characters, and genre elements that will drive success.
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